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Esartia_Descend_2018, acrylic on vinyl, 120 x 108 inches.jpg

Khatia Esartia | Ich habe meinen Regenschirm vergessen (I have forgotten my umbrella)

Marisa Newman Projects is pleased to present Khatia Esartia’s Ich habe meinen Regenschirm vergessen (I have forgotten my umbrella). The exhibition title refers to a note found isolated in quotation marks among Friedrich Nietzsche’s unpublished manuscript Nachlass. While different interpretations have been put forward to explain the oddly placed sentence, most scholars prefer Jacques Derrida’s idea that Nietzsche's inscription is open to any number of meanings. The title of Esartia's show is thus at once, a misdirection, a ploy to bait the viewers into searching for the one element that should be missing in the presented works, and an affirmation that all works can be open to more than one reading. Each of the paintings in the exhibition addresses the possible meanings behind Nietzsche’s note, using humorous settings and absurd landscapes to reflect on the human condition. In Descend, a fantastical battle of sorts takes place on a 10-foot-tall work on wallpaper. The painting's protagonist is a small child, who finds herself throughout the exhibition thrust into bizarre situations - in Descend she appears to be attempting to fly. This attempt to connect in spirit with a bird-like creature who has the ability to fly is so desperate that it reads as comical. Having forgotten her umbrella, which can signify safety and shelter from metaphorical trouble, the child finds herself in trouble. Here the missing umbrella can be interpreted as a symbol of danger.

Ich habe meinen Regenschirm vergessen features a monumental wallpaper painting installation, gouache works on panel, and a suite of watercolor works on vellum. Esartia’s practice draws from the artist’s watercolor study with Afrikaans artist Rika Van der Walt. Watercolor has played a significant role in the development of modern art. Both Van Gogh and Cézanne praised it for its expressive space and airiness, yet it has stayed in the shadows of other media. Perhaps one of the more challenging materials to control, watercolor’s unforgiving nature and the inherent physicality that is created by its tendency to dry very quickly have been strong influences in the artist’s practice. In Descend the use of the natural color of the wallpaper and seemingly free-flowing paint that is controlled by the artist’s brush create harmonious movement and light in an unnatural landscape --with or without the umbrella.

Khatia Esartia (b.1978) works and lives in New York. She received her MA from Christie’s Education and BFA from the School of the Art Institute of Chicago.

Khatia Esartia | Ich habe meinen Regenschirm vergessen (I have forgotten my umbrella)

Marisa Newman Projects is pleased to present Khatia Esartia’s Ich habe meinen Regenschirm vergessen (I have forgotten my umbrella). The exhibition title refers to a note found isolated in quotation marks among Friedrich Nietzsche’s unpublished manuscript Nachlass. While different interpretations have been put forward to explain the oddly placed sentence, most scholars prefer Jacques Derrida’s idea that Nietzsche's inscription is open to any number of meanings. The title of Esartia's show is thus at once, a misdirection, a ploy to bait the viewers into searching for the one element that should be missing in the presented works, and an affirmation that all works can be open to more than one reading. Each of the paintings in the exhibition addresses the possible meanings behind Nietzsche’s note, using humorous settings and absurd landscapes to reflect on the human condition. In Descend, a fantastical battle of sorts takes place on a 10-foot-tall work on wallpaper. The painting's protagonist is a small child, who finds herself throughout the exhibition thrust into bizarre situations - in Descend she appears to be attempting to fly. This attempt to connect in spirit with a bird-like creature who has the ability to fly is so desperate that it reads as comical. Having forgotten her umbrella, which can signify safety and shelter from metaphorical trouble, the child finds herself in trouble. Here the missing umbrella can be interpreted as a symbol of danger.

Ich habe meinen Regenschirm vergessen features a monumental wallpaper painting installation, gouache works on panel, and a suite of watercolor works on vellum. Esartia’s practice draws from the artist’s watercolor study with Afrikaans artist Rika Van der Walt. Watercolor has played a significant role in the development of modern art. Both Van Gogh and Cézanne praised it for its expressive space and airiness, yet it has stayed in the shadows of other media. Perhaps one of the more challenging materials to control, watercolor’s unforgiving nature and the inherent physicality that is created by its tendency to dry very quickly have been strong influences in the artist’s practice. In Descend the use of the natural color of the wallpaper and seemingly free-flowing paint that is controlled by the artist’s brush create harmonious movement and light in an unnatural landscape --with or without the umbrella.

Khatia Esartia (b.1978) works and lives in New York. She received her MA from Christie’s Education and BFA from the School of the Art Institute of Chicago.

Khatia Esartia | Ich habe meinen Regenschirm vergessen (I have forgotten my umbrella)

Khatia Esartia | Ich habe meinen Regenschirm vergessen (I have forgotten my umbrella)

Installation View

Khatia Esartia | Ich habe meinen Regenschirm vergessen (I have forgotten my umbrella)

Khatia Esartia | Ich habe meinen Regenschirm vergessen (I have forgotten my umbrella)

Installation view

Khatia Esartia | Ich habe meinen Regenschirm vergessen (I have forgotten my umbrella)

Khatia Esartia | Ich habe meinen Regenschirm vergessen (I have forgotten my umbrella)

InstallationView

Khatia Esartia | Ich habe meinen Regenschirm vergessen (I have forgotten my umbrella)

Khatia Esartia | Ich habe meinen Regenschirm vergessen (I have forgotten my umbrella)

Installation View

Khatia Esartia | Ich habe meinen Regenschirm vergessen (I have forgotten my umbrella)

Khatia Esartia | Ich habe meinen Regenschirm vergessen (I have forgotten my umbrella)

Installation View

Khatia Esartia | Ich habe meinen Regenschirm vergessen (I have forgotten my umbrella)

Khatia Esartia | Ich habe meinen Regenschirm vergessen (I have forgotten my umbrella)

Installation View

Ask Your Father

Ask Your Father

2018

Watercolor, gouache on panel

18 x 24 inches

Landscape (Escape)

Landscape (Escape)

2018

Watercolor, gouache on panel

18 x 24 inches

 I Have My Demons, Don’t You?

I Have My Demons, Don’t You?

2018

Watercolor, gouache on panel

18 x 24 inches

Descend

Descend

2018

Acrylic on vinyl (wallpaper)

120 x 108 inches

Customize Your Security

Customize Your Security

2018

Watercolor, gouache on panel

24 x 36 inches

Ask Your Father

Ask Your Father

2018

Watercolor, archival pen on Mylar

Overall: 14 x 11 inches; Image: 9 1/2 x 7 1/2 inches

Can You Hear Me? Yes, but I Don’t Care for What You Are Yelling.

Can You Hear Me? Yes, but I Don’t Care for What You Are Yelling.

2018

Watercolor, archival pen on paper

Overall: 14 x 11 inches; Image: 6 1/2 x 41/2 inches

Demons Can Wait

Demons Can Wait

2018

Watercolor, archival pen on Mylar

Overall: 14 x 11 inches; Image: 9 1/2 x 7 1/2 inches

Would You Get That for Me, Please?

Would You Get That for Me, Please?

2018

Watercolor, archival pen on Mylar

Overall: 14 x 11 inches; Image: 9 1/2 x 7 1/2 inches

Battle of the Umbrellas

Battle of the Umbrellas

2018

Watercolor, archival pen on Mylar

Overall: 14 x 11 inches; Image: 9 1/2 x 7 1/2 inches

 Wanderer (Lake of Fire)

Wanderer (Lake of Fire)

2018

Watercolor, gouache on panel

24 x 36 inches

Bosch on Lollipops

Bosch on Lollipops

2018

Gouache on vellum

17 x 21 inches

 Fight or Flight

Fight or Flight

2018

Watercolor, archival pen on paper

Overall: 14 x 11 inches; Image: 9 1/2 x 7 1/2 inches

 Some Tea to Help with Your Problems?

Some Tea to Help with Your Problems?

2018

Watercolor, archival pen on vellum

Overall: 14 x 11 inches; Image: 9 1/2 x 7 1/2 inches

Freedom

Freedom

Watercolor, archival pen on paper

Overall: 14 x 11 inches; Image: 6 1/2 x 41/2 inches

Picnic

Picnic

2018

Watercolor, archival pen on vellum

Overall: 14 x 11 inches; Image: 9 1/2 x 7 1/2 inches

 Imbecilic Use of Umbrellas

Imbecilic Use of Umbrellas

2018

Watercolor, archival pen on vellum

Overall: 14 x 11 inches; Image: 9 1/2 x 7 1/2 inches

Beating the Odds

Beating the Odds

2018

Watercolor, archival pen on vellum

Overall: 14 x 11 inches; Image: 9 1/2 x 7 1/2 inches

Visiting

Visiting

2018

Watercolor, archival pen on vellum

Overall: 14 x 11 inches; Image: 9 1/2 x 7 1/2 inches

A Brief Meeting of Body and Head

A Brief Meeting of Body and Head

2018

Watercolor, archival pen on Mylar

Overall: 14 x 11 inches; Image: 6 1/2 x 41/2 inches

Caught up in an Umbrella Feud

Caught up in an Umbrella Feud

2018

Watercolor, archival pen on Mylar

Overall: 14 x 11 inches; Image: 9 1/2 x 7 1/2 inches

Rika

Rika

2018

Acrylic on canvas

36 x 48 inches

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